My artistic practice and research are focused on analysing the evolution of photography from the materiality of silver gelatin to the virtuality of 3D techniques. The history of photography could be considered a metaphor to understand how the economy has evolved since the industrial revolution until the present. I’m interested in how technological progress and scientific advances have modified the appearance of nature and the devasting impact they have had on other species. Currently, I’m undertaking a PhD in UX Design at Autonomous University of Barcelona.


_’1854 Presents: Ana Maria Guerra on documenting the Anthropocene’, British Journal of Photography, 2020.


_’The new digital life of Ana Maria Guerra’s Fossils’, British Journal of Photography, 2020.


_’Ten Photographers Drawing Attention to Climate Change’, AnOther Magazine, 2017.


_’Ana Maria Guerra – FUTURE FOSSILS’, Archive Collective, 2017.



_’Future Fossils’. In, Scott, Conohar. (2022) Photography and Environmental Activism. New York: Routledge.
_’Significant Otherness’, Print Council of Australia Inc, Melbourne, 2019.
_’Future Fossils’, Brownie Photo Gallery, Shanghai – China, 2018.
_’Virtual Landscapes’, Brownie Photo Gallery, Shanghai – China, 2018.
_’Spaniel’ from the series Significant Otherness. In Coutts, Nicky. (2018) Perspectives on Contemporary Printmaking. Manchester: Manchester University Press.
_’Threads’ commissioned work by Adidas and Parley, London – UK, 2017.
_’Virtual Landscapes’, Temperature Check: Body of Evidence. MACLA. San José – USA, 2017.
_’Future Fossils’, Temperature Check: Body of Evidence. MACLA. San José – USA, 2017.
_’Virtual Landscapes’, Panta Magazine, Berlín – Germany, 2017.
_’Future Fossils’, Panta Magazine, Berlín – Germany, 2017.
_’Future Fossils’, Expanded Habitat. Color Box. Beijing – China, 2017.
_’Future Fossils’, Three–fold. Bultifou. Hangzhou – China, 2017.
_’Future Fossils’, Archive Collective, London – England, 2017.
_’Future Fossils’, The Earth Issue, London – England, 2017.
_’Future Fossils’, Final Show MA Photography LCC, Ugly Duck, London – UK, 2016.
_’Significant Otherness’, Interim Show MA Photography LCC, London – UK, 2016.


_’Trazando el origen de la fotografía en 2 dimensiones y 3 dimensiones
a través de las representaciones de animales’ (2019) in Communication Papers Volume 8, No.17.


_Editorial Coordinator of Volume 6, No.12 of the Academic Journal Communication Papers (2017): Imágenes y contra-imágenes. Usos de la fotografía en las prácticas artísticas contemporáneas


_’From the Analog Archive to the Digital Archive: Reflections on the Dematerialisation of Photography’ (2017) in Communication Papers Volume 6, No.12.


_PhD Design candidate, Autonomous University of Barcelona.
_Masters Degree in Fine Art Photography, University of the Arts London.
_Masters Degree in 3D for Photography and Graphic Design, FX Animation Barcelona.
_Bachelor’s Degree in Advertising, Autonomous University of Barcelona.